Koloristerne 2021 at Den Frie

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With restrictions because of the pandemic, all galleries and museums in the city are closed and the major show of works by Koloristerne - The Colourists - at Den Frie Centre of Contemporary Arts has been cancelled but if the public cannot go into the gallery then the artists can bring some of their works to the exterior of the building.

Carsten von Würden, chairman of the Colorists, says about the project:

“Several studies have recently indicated that what we especially miss here in the closure is art and culture. The physical encounter with art cannot be replaced by a screen. Eventually we are also so tired of the screen all together, so with this manifestation we artists would like to give people the opportunity to have a physical encounter with art! We are therefore super happy to be able to give everyone who comes past Oslo Plads an art experience in a good safe environment outdoors, with a group of Denmark's most talented painters! ”

continues until 21st February 2021 at Den Frie Centre of Contemporary Arts,
Oslo Plads, Copenhagen

KOLERISTERNE
DEN FRIE

 

Members of Koloristerne:
Søren Ankarfeldt, Eli Benveniste, Martin Berge, Asger Harbou Gjerdevik,  Jørgen Teik Hansen, Nanna Hertoft, Ingvald Holmefjord, Ida Kvetny, Anker Mortensen, Lisbeth Nielsen, Niels Reumert, Hartmut Stockter, Kurt Tegtmeier, Helle Thorborg, Inge Lise Westman, Maria Wæhrens og Carsten von Würden.

Invited guests:
Christina Hamre, Signe Jais, Jacob Oksbjerg, Esben Klemann, Michael Norre, Lærke Lauta, Jean Marc Routhier,
Sophus Ejler Jepsen, David Noro, Anne Torpe, Jon Pilkington, Søren Sejr, Anne Sofie Meldgaard og Regitze Engelsborg Karlsen.

 

Kähler at CHART Design Fair August 2019

 

The Kåhler pottery was founded by Joachim Christian Hermann Kähler in 1839 and this exhibition at Den Frie - for the CHART Design Fair - is in part to mark their 180th anniversary. 

Initially, Kähler produced stoves and cooking pots and kitchenwares. Two sons - Hermann A Kähler and his younger brother Carl Frederik Kähler - took over the factory in 1872. After a fire in 1875, a new factory was established and the company began producing finer ceramics, particularly vases, and began working with ceramic artists including H Brendekilde, L A Ring and Carl Lund and later Karl Hansen Reistrup and then Svend Hammershøi who became the artistic director of the company. 

Kähler experimented with shapes, glazes - particularly a hallmark deep red lustre - and with decorative techniques of painting by hand.

The exhibition here showed a range of their pieces through the history of the factory that show how, as a commercial company, they had to respond to changes of fashion but also, by employing well-established and talented artists, they could also set certain styles. 

Plaster casts for slip-pouring moulded, rather than thrown, pieces and sample strips of glaze colours gave some insight into the technical aspects of the high-quality ceramics.

In 1974 the factory was sold to Næstved municipality and then passed through a number of owners including Holmegaard but since 2018 has been part of the Rosendahl Group.

Kähler

Oslo Plads

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Oslo Plads is in front of the station and takes the road over the railway
the building being converted and extended by KHR is in the top angle of the junction with the Citadel to the right - to the east - the main railway station building to the left - to the west - Den Frie opposite, on the other side of the junction and the northern-most houses of the famous 17th-century Nyboder centre bottom

towards the top left of the view are the engineering works for the new Metro station that will open this summer and on the left edge of the view are the earthworks and lakes that survive from the historic city defences … it would be difficult to find a more prominent or more sensitive site for a new development in Copenhagen

Designed by the Copenhagen architects KHR - this building, on Oslo Plads in Copenhagen, is not finished but has, already, attracted a huge amount of criticism.

It has been described as looking like a collapsed cake; one national newspaper critic has suggested that it should be nominated for an award as the grimmest building in the city; someone on the board of a conservation society has demanded that work should stop immediately and members of the planning committee are already stepping back from their decision to give consent by saying that it looks nothing like the drawings.

It is not actually a new building but a dramatic remodelling of a single-storey and very brutal concrete block that was a supermarket and sports shop with an extension to the railway station - Østerport Station - immediately to the left in this view.

The building was L-shaped, facing onto both roads with a courtyard at a lower level to the back, in the angle of the L, where a new office building has been constructed.

The design was bound to be contentious because this is an incredibly sensitive site … the ornate station building dates from just after 1900; opposite the building - behind the camera in this view - is a very quirky wooden building that was used by a famous group of landscape painters and is now an art gallery - Den Frie - Gustafskyrkan - the Swedish Church on the other side of the road, to the right in this view, was completed in 1911 and is a very fine building and, more important, immediately behind the church is the Kastellet - the citadel - with ramparts dating from the late 17th century and one of the most important green spaces in the city.

An extra floor has been added above the supermarket but it is the odd, raspberry-sorbet colour of the glass cladding and the unrelenting horizontal line of the front that seems to be the problem.

A wider issue is actually one about road planning: this is an incredibly wide junction with traffic heading out of the city along the coast to Hellerup and Klampenborg to the north that crosses in front of the station and traffic for the Oslo Ferry terminal, traffic for the new district of Nordhavn - North Harbour - and tourists buses for the cruise ship terminals all head along the road past the church.

The solution, over the years, has been to make the roads wider and wider - to create separate filter lanes for dealing with the traffic lights - and this has taken away much of the pavement but it is hardly a ringing endorsement for a new building to say that it might look better set back beyond a deep pavement heavily planted with trees.

 

CHART DESIGN 2018

 

 

This is the sixth ‘edition’ of CHART but, for the first time, there is also a CHART Design Fair at the gallery of Den Frie on Oslo Plads in Østerport where twelve galleries from Denmark, Finland, Norway and Sweden are showing furniture and contemporary glass and ceramics.

In the basement gallery at Den Frie is an installation by benandsebastian entitled Department of Voids … a space in two halves divided by a glass wall with the two parts mirrored … one with empty museum storage cases and the answering part beyond the glass with the objects reimagined and in glass.

Den Frie
benandsebastian