PLANETARY BOUNDARIES - rethinking Architecture and Design

 

This week is your last opportunity to see this important exhibition because Planetary Boundaries at the Royal Danish Academy on Holmen will close on Friday 5 April 2024.

The concept of Planetary Boundaries is a method for assessing the environmental state of our planet within nine areas that regulate the Earth's stability and balance. Humans have been successful because, over thousands of years, we have adapted to survive in a remarkable range of habitats from frozen tundra to parched landscapes with barely any vegetation and we have done that through the ways we have learned to exploit a huge range of natural resources. However, there are limits to those resources and limits to how much we can pollute the land, and the water and the atmosphere of Earth with waste before that has a serious impact. Mining, the generation of power and the consequent production of waste from industrial processes are all pushing those boundaries close to and, in many environments, way beyond those limits.

Shown here, is work from 25 research protects, that have looked at new materials or at new approaches to design and manufacturing and at changes in our building methods and planning policies that could control our demands for energy and reduce global emissions of CO2 and pollutants from mining extraction and from large-scale agricultural and industrial processes ... processes that have had such a detrimental impact on our rivers and seas and our atmosphere.

Manufacturing is responsible for over 50% of global energy usage and is responsible for 20% of global CO2 emissions.

A UN report from 2022 showed that construction work is now responsible for 34% of global energy demands and 37% of global greenhouse gas emissions.

So now, as the impact of climate change is becoming a reality, if there are not major changes to what we build and how we build, current predictions for the release of CO2 indicate that emissions from the production of building materials alone are set to double by 2060.

We have to to be rational and look at the materials we use and change how we use materials in building construction and in manufacturing.

Some of the new materials shown in the exhibition - such as fungi - or suggestions about how to use raw materials more efficiently or ideas about how to reuse salvaged materials have been proposed before but here there is a clear move on from theory to practical applications that have been or are being tested at scale.

For policy makers - now focused on making changes before we reach irreversible tipping points in global warming - these ideas may well be obvious and, for them, it is about when and how these changes are implemented but they will only be successful if a large number of people - the customers who are buying and using the products and the citizens who are living in and working in what could be very different forms of building - understand the reasons and are on board with those changes.

One project in the exhibition has looked at experiments in communal living with reduced personal space but increased shared space for shared facilities in housing and another project looks at increasing the density of housing in the suburbs of Copenhagen by building new houses on back plots and between existing buildings but such major change can only proceed with wide-spread consent.

The exhibition presents what are still options so the next stage should be broader and informed debate about how we use materials; about what we manufacture and how and about how we build and what we build in our cities in the future.

PLANETARY BOUNDARIES
Det Kongelige Danske Kunstakademis Skoler
for Arkitektur, Design og Konservering

Danneskiold-Samsøe Allé, 1435 København K
21 Sep 2023 - 5 Apr 2024 

Six of the projects will be shown at Form, the design center in Malmö. 

PLANETARY BOUNDARIES
Form Design Center
Lilla torg 9, Malmö, Sweden
13 April - 2 June 2024

Form at the Swedish Embassy for 3daysofdesign

 

Form - the gallery and centre for design in Malmö - is run by Svensk Form Syd and is part of the Swedish Society of Crafts and Design.

Here at the Swedish Embassy, for 3daysofdesign, they showed the work of nine young designers who are based in Skåne … the southern region of Sweden that is just over the sound or just over the bridge from Copenhagen.

The exhibition was curated by Kajsa Willner and had been shown previously at Dutch Design Week in October last year.

 

 

Works exhibited included a lamp and a table by Andréason & Leibel; work by Jenny Nordberg; jewellery by Sara Robertsson; vases by Hanna Hansdotter; a table by Ola Gertz; table and cabinet by the design group Stoft; pen pots by Kunsik Choi; jacket by Naemi Gustavsson and cast aluminium table by Glen Baghurst.

There was a small and separate exhibition of ten works by designers from the Malmö region following a competition to design more appropriate and sustainably-produced souvenirs. The ideas illustrated well that one role of the designer is to step back and reassess how we use a material or how we do something with certain tools. We get easily into a rut where what we do and how we do it seems to be the only or the obvious way and one role of the designer is to see if there is another and very different way because it is too easy for manufacturers to get trapped in a series of modifications or upgrades - particularly if they have a successful product - rather than realising that time or life or demands or our priorities have changed.

 

The candlestick was inspired by the form of the bridge between Sweden and Denmark; there was a high-visibility back bag and a stylish bike bell; a knife for harvesting mushroom and a bottle opener inspired by the design of timber framing in the area and there was a candy slug. I'm not sure why we need a chocolate slug unless this is aversion therapy so you need to really really want chocolate if it looks like a slug.

What I do like more and more is the Swedish use of the word Formgivare. It’s useful and evocative and covers design and making in the sense that the person gives the idea form … so they take an idea and make that into something tangible.

I can see why many young designers started to drop any prefix before the word designer - so interior designer, furniture designer, graphic designer - because it could seem a bit restricting for talent when, in the current economic situation, it probably seems wise to keep options open and turn a hand to anything but, as a consequence, the world of the designer is becoming a rather crowded place as even architects abandon their core work to produce ranges of furniture or accessories or perfume. I made up the last one ..... or at least I hope I made up the last one.

I'm hoping more makers and more formgivers come out from that catch-all profession of designer ... surely it's not a bad thing to show where your experience and talent and enthusiasms are focused.

FORM design center Malmö

 

Signatur/Signature 

Just opened at Form Design Center in Malmö … an exhibition of wallpaper from the Signatur range from Sandberg designed by Dagmar Lodén, Ylva Kallstrom-Eklund, Joy Zandén and Lillo Wikstrand who were working in the 1950s.

continues at Form Design Center in Malmö until 14 May 2017

information about this range of wallpaper from Sandberg