Silica Visions - Round Tower, Copenhagen

Silica Visions is an exhibition of work by the students who have graduated this summer from the ceramic and glass course of the Danish Royal Academy design school at Nexø on Bornholm.

The quality of the work is impressive but what is so amazing is the diverse approaches to the materials and the extensive experimentation with techniques.

In some, strong sculptural form is the result while in others, with fractured surfaces, the pieces seem close to their origin as minerals while in the work of others, smooth trails of colour or globules of material emphasise and exploit the high temperatures required to produce all these works. 

Obviously, each student is only represented by one or at most a few pieces of their work but does indicate where, right now, their interests are focused and it will be intriguing to track careers and fascinating to see who, if anyone,  moves into commercial design work and who, in the coming years, set up studios or workshops.

Of course the exhibition is not in the Round Tower itself but in the large gallery space above the church and reached from an upper level of the tower. There is generous space to see the works and the natural light from the windows can create beautiful and at times quite dramatic effects.

gallery of images

Silica Visions continues until the 27th September

 

Den Danske Keramikfabrik 2

PHOTOGRAPH PUBLISHED WITH THE PERMISSION OF TINA MARIE BENTSEN, DEN DANSKE KERAMIKFABRIK

 

Keen to find out more about Den Danske Keramikfabrik, I had coffee yesterday at the Design Museum with Alikka Garder Petersen and Tine Broksø, two of the ceramicists behind the new factory, and with Susanne Meyer who is working on their publicity.

The idea for the factory actually evolved from meetings of a ceramic club in Copenhagen. Many ceramicists work alone or share studios with one or two other artists and may take interns but contact and support from other professionals is important. In their studios, it is obvious that production has to be geared up to the kiln and the number of potters or ceramicists working there so, for very simple practical reasons, it can be difficult to respond if there is, for instance a large order for tableware or an idea to work on something that is much more ambitious or possibly more demanding technically.

Den Danske Keramikfabrik will provide those facilities and open up commercial possibilities for not just the initial group of 16 ceramicists but also other studios and other artists around the region … so already there has been a meeting in Malmö to involve studios and ceramicists in southern Sweden and the idea is to attract work from further afield including north Germany.

Bornholm is well placed geographically with ferries from Ystad and the flights from Copenhagen airport taking around 30 minutes. This was seen to be crucial if artists are to work closely with the production team in the factory. 

The factory site in Nexø was first seen in May 2014 and it is planned to open in the New Year so progress is fast. There will be an administrative board of five with three ceramicists and two business members.

From the start there has been a focus on conservation and sustainability, aware of their use of water, the need to recycle heat from the kilns and to use renewable energy where possible.

A factory mark has been designed for pieces produced by the factory and it is hoped that work will include that mark to identify the pieces as made in Denmark and made by hand although of course some artists and some design companies may opt to use just their own mark.

An initial range of pieces called Upside Down will be produced for an exhibition on Danish Design Now that opens at the Design Museum on the 13th November. That range will showcase what the factory can provide in terms of techniques, skills and expertise and will be produced as a limited and numbered collection for sale with 100 copies of each piece.

Den Danske Keramikfabrik

 

PHOTOGRAPH PUBLISHED WITH THE PERMISSION OF TINA MARIE BENTSEN, DEN DANSKE KERAMIKFABRIK

Den Danske Keramikfabrik

photograph published with the permission of Tina Marie Bentsen, Den Danske Keramikfabrik

Continuing with the theme of manufacturing and the production of design locally or at least regionally - see the post Den Nya Kartan about a project in Skåne in southern Sweden - I was recently contacted about a new ceramic factory that will open early next year on the Danish island of Bornholm. 

Den Danske Keramikfabrik will be owned by sixteen ceramicists, professional potters and designers who all have their own small businesses, and their goal is to produce high-quality ceramics at competitive prices not only for themselves but for other potters and designers and design companies. This means that the factory will develop products in close co-operation with skilled craftsmen to balance design, craft skills and technical skills.

There is a tradition of producing ceramics on the island and the new factory will be working in close co-operation with the Bornholm Kunstakademiets School of Design in Nexø. 

Initial publicity from the group has set out their aim …. “to create high-quality products based on professionalism, knowledge, curiosity and thorough knowledge of materials, techniques and craftsmanship. The diversity of products range from something unique, sculptural and experimental, to ceramics for everyday use in large and small series with a focus on form and function.”

“Our goal is to become a manufacturer who can sustain Denmark's reputation for good quality-conscious design and design that reflects the respect and knowledge of the material and especially mastery of the ceramic craft.”

They feel strongly that “for Denmark to maintain a leading position in ceramic design, it is essential that we have the knowledge, expertise and understanding of all stages of the design process. Including understanding materials and mastery of techniques.”

In part, this will be achieved by bringing to commercial production the workshop experience of craft potters to ensure “high quality and constant innovation of craft and production methods.”

There will be an emphasis on both reliability, as a manufacturer, quality control and flexibility in the factory so they will be able to produce different quantities of a design, from large runs of one design through smaller orders to unique pieces and with the ability to work on prototypes which need a close collaboration between the designer and the factory. This close working relationship, between designer and producer, and their understanding of the market combined with flexibility on the technical side should mean “rapid adaptability and the quick production of new designs that make it quicker to get to market.”

It will also be important to ensure that production is environmentally sound and ethical so they have already joined the Bright Green Island strategy where the aim is for Bornholm to be CO2 neutral by 2025.

Ethics extend to labelling and the group are already reminding people that actually "Made in Denmark” should not be used for products that are in part made abroad and “Handmade" should not be used by any company where the product has been made in part by machine. “Honesty and transparency of production methods gives final customers the opportunity to choose what products and brands they want to buy.”

Initial publicity talks rightly about a wider and more general need to respect the expertise and the designs of others - so here, from the start, is a strong statement against the growing problem where some factories simply copy the designs of others.

 

photograph published with the permission of Tina Marie Bentsen, Den Danske Keramikfabrik

Ceramics produced by the factory will be porcelain or stoneware and their expertise will cover technical drawing in the initial stage or 3D models, processes such as form work, plaster casting, slip casting, hand turning, throwing and dip glazing, spray glazing, double glazing, decoration with slip, painting and silk-screen printing with underglaze colours.

I will be meeting some of the ceramicists behind the project next week and I hope that I will be able to visit the site on Bornholm and report on progress at intervals as they produce their initial collection to demonstrate the range of designers, skills and technical expertise available.

Den Danske Keramikfabrik